Fantastic lens!!! Way, way better than previous version. Smoother bokeh, silent and pretty fast AF and (back again) metal mount. I also use Canon 50mm f/1.2L lens, and this 1.8 version is unbelievable value for the price. You won't be disappointed - good job Canon!

What I like the most is that the seller provided accurate dimensions of this mount in the product description. And so it fits my Tamron SP A-30 80-200 f2.8 lens perfectly. This lens is not very big but weighs over 3 pounds. The metal construction and the built in adapter grooves on the base for the tripod ball head seem to make it quite stable and balanced. The paint has a kind of matte finish that I like. The color is a bit more tan than the Canon white lenses, but my lens is black anyway, so I like it. Have not taken it out yet, so do not know about the durability. So far a very good (and fortunate fit) buy for me!

Best lens under 200 no question.I use this lens often as i personally quite like the Bokeh effect this lens provides. Does appear to have the best picture quality at F/2.8 instead of its maximum 1.8.The reality is that this is a $125.00 lens and for the price it cannot be beaten. Fast to focus, great picture quality, has metal mount, and generally feels much better than the lens it replaces.

You will not find a better made or better performing lens for the price. I find it to narrow on full-frame for an all purpose lens, but there are a ton of people who disagree. It works great as a portrait lens on ef-s mount bodies. Really sharp, nice bokeh, decent build quality and autofocus. Couldn't ask for more for the price. The only other lens Canon makes that's better in the price range is the 22mm, but that's eos-m mount. I've heard good things about the 24mm f/2.8 though.

In the pack, you get two F mount camera body caps. Two rear lens cap covers Two bubble covers that you can use to keep the camera level, they also protect and keep dust out of your flash contacts.

The walkaround lens. This very topic leads to a heated discussion among DSLR photographers.First, determine your budget, focal length, and aperture needs.If you frequently find yourself zooming out to get everything in a frame, you will want a wide angle lens such as this. If you frequently find yourself zooming in, this is not the lens for you. On a full frame body such as Canon EOS 5D, this lens becomes ULTRA wide angle. On an APS-C crop body such as Digital Rebel XTi (which I used for this review), it becomes MEDIUM wide angle. But thanks to 1.6x crop factor, this lens expands to more usable 35mm equivalent focal length of 27 to 64mm.Second, audition the lens if you can.By definition, a walkaround lens should be relatively portable. At 1.1 lbs., Canon's EF 17-40mm f/4L USM is neither super light nor neck breakingly heavy. In fact, it weighs almost the same as Digital Rebel XTi -- really nice balance. The lens feels very solid with supreme build quality that only L-series lenses offer. Although this lens is weather proof and therefore sealed against liquid and dust, I strongly recommend getting a 77mm filter to protect the front lens element. With it, this lens is made to last.In terms of looks and feel, it doesn't get much better. Its rubberized full-time inner focus manual ring USM focuses smoothly, quietly, and quickly. Since it's inner focus, the lens will not extend beyond its metal casing whether you zoom in or out. The focus window shows focusing distance from 0.28 meter (0.92 feet) to infinity. The focal length marker indicates 17, 20, 24, 28, 35, and 40mm. The lens exudes quality from tip to tip.You may tolerate heavier lens or may not mind lesser build quality of cheaper lenses. A walkaround lens will be used very often, so make sure you will be comfortable with it.This lens is famous for saturated color and deep contrast. Its images are simply stunning. At 17mm wide angle, barrel distortion is noticeable but relatively mild. From 24mm to 40mm, its images are distortion free and perfectly suited at capturing people.Vignetting (corner darkness) is minimal with mild chroma abberrations (color shadows). At f/4 aperture, details become noticeably softer toward the edges. The center region is very sharp and at f/5.6, edges remain fairy sharp. Thanks to 7 diaphragm blades, this lens can produce very nice bokeh at 40mm (blur effects).One of the most cited weaknesses is the f/4 aperture. In my experience, a bump in the ISO speed and steady hands are all you need to take well focused images indoor. On the other hand, if you are shooting with very little amount of light, you might wish for f/2.8 or image stabilizer. Although the difference between f/4 and f/2.8 is just 1 stop, my other lens, Canon EF 24-70mm f/2.8L USM (too heavy to be my walkaround lens) easily outperforms in such challenging situations. But by and large, I was not handicapped by the f/4 aperture.Some of the main competitions (sorted by price):- Sigma AF 17-70mm f/2.8-4.5 DC macro: Good zoom range with macro, and generally solid performance if you can get a good sample. It does suffer from a bit slow focus mechanism, soft corner, and chroma aberrations. Works only with EF-S mount.- Sigma 18-50mm f/2.8 EX DC: Very good value for f/2.8 aperture, but Tamron's 17-50mm is a bit better lens overall. Works only with EF-S mount.- Canon EF-S 17-85mm f/4-5.6 IS USM: This "traveler's lens" has a wider focal range than most wide angle lenses (widest among Canon) and is equipped with an image stabilizer. While it is a Jack of many trades, it is the master of none. Every lenses on this list will perform better at particular focal length. Then again, none of the lenses on this list has as wide focal range. It is famous for extreme barrel distortion at 17mm and chroma aberrations. Works only with EF-S mount.- Tamron SP AF 17-50mm f/2.8 Di II LD Aspherical (IF): This is the most direct competitor. It takes sharper images with faster aperture while costing less. Both the build and focus mechanism are significantly worse, but should be good enough for many. Works only with EF-S mount.- Canon EF-S 17-55mm f/2.8 IS USM: This is THE reference, if you can afford it. Its images have razor sharp details and great performance all around (minus vignetting, which is typical of EF-S lenses). The build quality is worse than L-series but still pretty good. Works only with EF-S mount. This is the best EF-S lens hands down.- Canon EF 16-35mm f/2.8L USM: One of the most expensive wide angle zoom lenses. It's larger and heavier, but has f/2.8 aperture.This is how Canon EF 17-40mm f/4 USM stacks up.Pros:- Among the very best build quality.- Excellent, buttery smooth, super fast front-focus system.- Top notch color and contrast. Very sharp center resolution.- Almost non-existent vignetting, generally low distortion, and well controlled chroma abberrations.- Ideal weight and size for walkaround purposeCons:- Edge softness at f/4 aperture.- Narrower focal length than most competing lenses.- Slower than some third party lenses.All in all, this is an excellent wide angle walkaround lens. It may not offer the most bang for the buck, but if you value full frame compatibility (EF lens mount) and excellent build quality, this is the default choice. This lens comes with a nice pouch and a lens hood. I find the hood to be somewhat ridiculously shaped and because the lens is resistant to flare, I do not use it often when shooting outdoor.

I was thinking whether to invest in 50mm F/1.4 but I am happy that my investment for F/1.8 is value for money. Excellent lens to capture portraits

This is my new favorite phone mount.Great concept and a good quality Holder.Exceeded my expectations!